In the original, Austen’s central characters are aspirational — better than we are, more articulate, more virtuous and honorable, in firmer command of themselves, thinking and behaving with more self-respect. In Hamill’s vision, these 200-year-old gentry are a little bit more like us: spilling their punch all over other people’s crotches, attempting to recover their dignity with a sultry pose to Beyoncé’s “Crazy in Love,” not really succeeding but soldiering on nonetheless.